Artist: Joao Gilberto
Title Of Album: Collection
Year Of Release: 2014
Label: U-5
Genre: Latin Music,Brazilian,Bossa Nova, Latin Jazz
Quality: MP3 CBR 320 kbps
Tracks: 15
Total Time: 00:59:53
Total Size: 152 MB

Tracklist:
01. Stan Getz, Joao Gilberto, Antonio Carlos Jobim - Desafinado (04:12)
02. Stan Getz,Joao Gilberto - Bim Bom (02:10)
03. Joao Gilberto, Antonio Carlos Jobim - Corcovado (04:33)
04. Stan Getz, Antonio Carlos Jobim, Joao Gilberto, Ary Barosso - Para Machuchar Meu Coracao (05:05)
05. Stan Getz, Joao Gilberto, Antonio Carlos Jobim, Vinfcius de Moraes - So Danco Samba (03:40)
06. Joao Gilberto - Urn Abraco No Bonfa (02:52)
07. Stan Getz, Joao Gilberto, Dorival Caymmi, Antonio Victorino Almeida - Doralice (02:46)
08. Stan Getz, Astrud Gilberto, Joao Gilberto, Benny Carter - Only Trust Your Heart (05:51)
09. Joao Gilberto, Antonio Carlos Jobim, Newton Mendonga - Meditation (04:03)
10. Joao Gilberto, Jon Hendricks, Jayme Sylva, Neuza Teixeira, Jayme Silva - O Pato (02:17)
11. Joao Gilberto, Antonio Carlos Jobim - Ligia (05:39)
12. Joao Gilberto, Janet Almeida, Haroldo Barbosa - Pra Que Discutir Com Madame? (06:01)
13. Joao Gilberto, Dorival Caymmi - Samba Da Minha Terra (03:08)
14. Stan Getz, Joao Gilberto, Antonio Carlos Jobim - Vivo Sonhando (02:54)
15. Joao Gilberto, Antonio Carlos Jobim - Wave (04:37)


When talking about bossa nova, perhaps the signature pop music sound of Brazil, frequently the first name to come to one's lips is that of Antonio Carlos Jobim. With songs like "The Girl From Ipanema" and "Desafindo," Jobim pretty much set the standard for the creation of the bossa nova in the mid-'50s. However, as is often the case, others come along and take the genre in a new direction, reinventing through radical reinterpretation, be it lyrically, rhythmically, or in live performance, making the music theirs. And if Jobim gets credit for laying the foundation of bossa nova, then the genre was brilliantly reimagined (and, arguably, defined) by the singer/songwriter and guitarist Joao Gilberto. In his native country he is called O Mito (The Legend), a deserving nickname, for since he began recording in late '50s Gilberto, with his signature soft, near-whispering croon, set a standard few have equaled.