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www.samoylenko.info » » Donald Byrd & Kenny Burrell – All Night Long + All Day Long (Bonus Track Version)(2014)
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Donald Byrd & Kenny Burrell – All Night Long + All Day Long (Bonus Track Version)(2014)
Artist: Donald Byrd & Kenny Burrell
Title Of Album: All Night Long + All Day Long
Year Of Release: 2014
Label: Phoenix Records
Genre: Jazz, Bop, Hard Bop
Quality: MP3 CBR 320 kbps
Tracks: 18
Total Time: 02:29:36
Total Size: 378 MB

Tracklist:
01. Donald Byrd & Kenny Burrell - All Night Long (17:12)
02. Donald Byrd & Kenny Burrell - Boo-Lu (06:48)
03. Donald Byrd & Kenny Burrell - Flickers (06:14)
04. Donald Byrd & Kenny Burrell - Li'l Hankie (08:23)
05. Donald Byrd & Kenny Burrell - Body and Soul (10:22)
06. Donald Byrd & Kenny Burrell - Tune Up (05:37)
07. Donald Byrd & Kenny Burrell - All Day Long (18:18)
08. Donald Byrd & Kenny Burrell - Slim Jim (07:32)
09. Donald Byrd & Kenny Burrell - Say Listen (06:45)
10. Donald Byrd & Kenny Burrell - A.T. (06:46)
11. Donald Byrd & Kenny Burrell - C.P.W. (05:56)
12. Donald Byrd & Kenny Burrell - Blue Duke (Bonus Track) (08:51)
13. Donald Byrd & Kenny Burrell - Dead Heat (Bonus Track) (04:08)
14. Donald Byrd & Kenny Burrell - Pivot (Bonus Track) (05:13)
15. Donald Byrd & Kenny Burrell - I'll Close My Eyes (Bonus Track) (04:50)
16. Donald Byrd & Kenny Burrell - Little Melonae (Bonus Track) (09:30)
17. Donald Byrd & Kenny Burrell - This Way (Bonus Track) (12:25)
18. Donald Byrd & Kenny Burrell - Out of Nowhere (Bonus Track) (04:37)

Biography

Donald Byrd was considered one of the finest hard bop trumpeters of the post-Clifford Brown era. He recorded prolifically as both a leader and sideman from the mid-'50s into the mid-'60s, most often for Blue Note, where he established a reputation as a solid stylist with a clean tone, clear articulation, and a knack for melodicism. Toward the end of the '60s, Byrd became fascinated with Miles Davis' move into fusion, and started recording his own forays into the field. In the early '70s, with the help of brothers Larry and Fonce Mizell, Byrd perfected a bright, breezy, commercially potent take on fusion that was distinct from Davis, incorporating tighter arrangements and more of a smooth soul influence. Opinions on this phase of Byrd's career diverge wildly — jazz purists utterly despised it, branding Byrd a sellout and the records a betrayal of talent, but enraptured jazz-funk fans regard it as some of the most innovative, enduring work of its kind. In fact, proportionately speaking, Byrd was held in even higher esteem by that audience than by straight-ahead jazz fans who enjoyed his hard bop output.



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